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It
would not be an overstatement to describe Glenda Rae's voice as
one of the great instruments in Canadian or global popular music.
Her gift is singular, and doesn't suffer for lack of commercial
exposure. The delight in discovery is a real treat for expectant
audiences. Glenda never disappoints.
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Raised
in a profoundly musical family (father and mother gospel ministers,
sister Christine Duncan a respected jazz icon), Glenda's exposure
to music began seemingly from the womb. In her infancy she demonstrated
an uncanny ability to harmonize with other singers. As she matured,
it became apparent to anyone in proximity that her talent was
nothing less than prodigious. Her passion for blues, soul, and
gospel saturated her musical development. |
Glenda's
soulfulness is tied to a complete technical mastery of her voice.
Centered as an alto, it glides effortlessly through nearly 4 ½ octaves
of range. Unique in texture and timbre, she can express herself
in the most pure of voices, (complete with the most unwavering control
in terms of pitch) or make her voice turn and tumble like a high
wire acrobat. Velvet restraint in one instance, and volatile passion
the next are hallmarks of a Glenda Rae performance.
For
all her giftings both trained and intuitive, Glenda's approach to
music is always consistent. She serves the song at all times, and
spares no effort in providing interpretations that are intended
to dig beneath the surface of the lyrics. She always views herself
as a vehicle for songs. a refreshing departure from other less subtle
approaches to producing music.
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has entered the world as a songwriter with a stunning velocity.
Collaborating with celebrated Canadian pianist/multi-instrumentalist/composer/arranger
Miles Black, Glenda has penned lyrics and melodies to over one
hundred songs, spanning a variety of genres including pop, soul,
jazz, and new country. Glenda, Miles, and percussionist/producer/engineer
Tony Chamberlist work closely together, producing and distributing
recordings of the new compositions. |
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In
addition, the trio can be seen performing these compositions in
a variety of Western Canadian venues.
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